Unavailable
We can no longer provide this arrangement through Sheet Music Stores. The listing stays online so you can learn about the piece and explore alternatives.
Brass band, string bass, percussion and guitar SKU: EC.7.0698 Composed by Richard Peaslee. Christmas, lessons and carols, 20th century. Full score. Galaxy Music Corporation #7.0698. Published by Galaxy Music Corporation (EC.7.0698). ISBN 600313706981. UPC: 600313706981.Christmas Brass is a fantasy on six carols, originally commissioned by Mark Freeh for the Manhattan Brass Choir. Duration: 16:30 The well-known tune, O Come, O Come Emmanuel, a hymn originally based on a plainsong melody, is here set in 5/4 meter. Modal harmonies are combined with big band style as the piece gains momentum, greatly accentuating the mood of the words, "Rejoice! Rejoice! Emmanuel." The opening 5/4 statement of the theme returns, and the piece ends quietly. In Beautiful Savior (also known by the title Fairest Lord Jesus), a hushed beginning featuring horns, euphoniums, and a muted trumpet, leads through a key change to a satisfying, chorale-like closing passage. In Away in a Manger, Peaslee sets two tunes, Cradle Song and Away in a Manger. Following a straightforward presentation of each melody, Peaslee plays them against one another. The music swells to a full climax followed by a hushed ending. Peaslee employs a gentle hand in It Came Upon a Midnight Clear, using flugelhorn solos and duets in a jazz-waltz style. In Silent Night, the traditional carol gets an untraditional harmonization, propelled forward by give-and-take between the two groups of brass instruments in the brass choir: trumpets and trombones versus horns, euphoniums, and tuba. Hark! The Herald Angels Sing begins with a humorous blast of discordant harmonies as multiple carols are sounded at the same time. An up-tempo 4/4 announcement of the melody in the trombone is followed by a metrical modulation in 6/8-3/4 time. An additional metrical modulation bring the music back into 4/4, but at a slower tempo and in a pronounced jazz style. Tempo I returns, and the set of six pieces closes with a big ending. Instrumentation: 4 Trumpets, 2 Horns in F, 4 Trombones, 2 Euphoniums, Tuba, Guitar, Bass, Percussion.
various
cathy moklebust, cathy moklebust
antonio vivaldi, martha lynn thompson, antonio vivaldi, martha lynn thompson
janet linker
various
richard peaslee
todd marchand