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Chamber Music Double Bass, Vibraphone, Viola, Violin, Violoncello SKU: CF.MXE55F Composed by Paul Lansky. Full score. 32 pages. Duration 17:55. Carl Fischer Music #MXE55F. Published by Carl Fischer Music (CF.MXE55F). ISBN 9781491153895. UPC: 680160911394.Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 187273; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. Paul Lansky Frame 1 100 Minuetto (Post-Classical, c. 1810) 352 Frame 2 125 Angst (Post-Romantic, c. 1910) 353 Frame 3 122 Dance (Post-Modern, c. 2010) 535 Frame 4 050 Total Duration 1755.Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. aPaul Lansky Frame 1 1a00a Minuetto (Post-Classical, c. 1810) 3a52a Frame 2 1a25a Angst (Post-Romantic, c. 1910) 3a53a Frame 3 1a22a Dance (Post-Modern, c. 2010) 5a35a Frame 4 0a50a Total Duration 17a55a.Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical aframes.a aMinuettoa is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. aAngsta recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. aDancea is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four aframesaa comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872a73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. aPaul Lansky Frame 1 1a00a Minuetto (Post-Classical, c. 1810) 3a52a Frame 2 1a25a Angst (Post-Romantic, c. 1910) 3a53a Frame 3 1a22a Dance (Post-Modern, c. 2010) 5a35a Frame 4 0a50a Total Duration 17a55a.Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical "frames." "Minuetto" is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. "Angst" recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. "Dance" is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four "frames'" comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00" Minuetto (Post-Classical, c. 1810) 3'52" Frame 2 1'25" Angst (Post-Romantic, c. 1910) 3'53" Frame 3 1'22" Dance (Post-Modern, c. 2010) 5'35" Frame 4 0'50' Total Duration 17'55".Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical "frames." "Minuetto" is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. "Angst" recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. "Dance" is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four "frames'" comment on the harmonies of the movements that they surround. The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872-73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008. --Paul Lansky Frame 1 1'00" Minuetto (Post-Classical, c. 1810) 3'52" Frame 2 1'25" Angst (Post-Romantic, c. 1910) 3'53" Frame 3 1'22" Dance (Post-Modern, c. 2010) 5'35" Frame 4 0'50' Total Duration 17'55".Harmonic Gallery, commissioned by Network for New Music for premiere at the Pennsylvania Academy of Fine Arts, is a musical analog of a museum exhibition in which paintings, sometimes created hundreds of years apart, are shown in close proximity. There are three movements, surrounded by musical frames. Minuetto is reminiscent of the early nineteenth century when the minuet form started to escape its rigid formalities. Angst recalls the early twentieth century when tonality supposedly started to crumble. It is based on famous harmonies used by Richard Wagner and Arnold Schoenberg. Dance is unashamedly post-minimal and post-modern, and celebrates repetition and cadences. The four frames’ comment on the harmonies of the movements that they surround.The three movements are very loosely related to three paintings in the collection: The Gordon Family, by Henry Benbridge, ca. 1762; Final Assault upon Fort Fisher, North Carolina, by Xanthus Smith, ca. 1872–73; Three Wise Men Greeting Entry into Lagos, by Kehinda Wiley, 2008.—Paul LanskyFrame 1 1’00Minuetto (Post-Classical, c. 1810) 3’52Frame 2 1’25Angst (Post-Romantic, c. 1910) 3’53Frame 3 1’22Dance (Post-Modern, c. 2010) 5’35Frame 4 0’50’Total Duration 17’55.