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Choral SA choir SKU: CF.BL1002 Composed by Evan Ramos. Fold. Octavo. With Standard notation. 8 pages. BriLee Music #BL1002. Published by BriLee Music (CF.BL1002). UPC: 680160907670. 6.875 x 10.5 inches.Absolutely beautiful for women's a cappella voices, this setting of the beloved Latin text, O Magnum Mysterium is not to be overlooked! Simple, elegant, and haunting, it is a lovely addition to any concert or festival program, sure to showcase treble ensembles in fine style. Also available for TTB Voices (BL919).O Magnum Mysterium is a setting of a Latin sacred text written for Christmas. The text depicts the extraordinary occurring among the ordinary: God coming to earth as a tiny baby, animals in a lowly stable being the first to witness his arrival. Adding dynamic contrast (crescendo/decrescendo) on every phrase and singing legato (smoothly) with a gentle choral tone will reflect the wonder and awe the original text and this setting attempt to communicate.Original Latin Text: English Translation:O magnum mysterium, O great mystery,Et admirabile sacramentum, And wonderful sacrament,Ut animalia viderunt That animals should seeDominum natum the newborn Lordjacentem in praesepio. Lying in a manger.O magnum mysterium. Amen. O great mystery. Amen.General Latin Pronunciation Guidelines:1. There are only five pure vowel sounds in Latin:A = AH E=EH I = EE O = AW U = OO2. Strive to flip all R’s as if singing in Italian.Latin Pronunciation (accented syllables are UPPER CASE):aw MAH-nyoom mee-STEHR-yoom,*eht ahd-mee-RAH-bee-leh sah-krah-MEHN-toom,oot ah-nee-MAH-lee-ah vee-DEHR-oontDAW-mee-noom NAH-toom,yah-CHEHN-tehm een preh-SEH-pee-aw.aw MAH-nyoom mee-STEHR-yoom. AH-mehn.*The word “mysterium” in this piece is a three-syllable rather than a four-syllable word. This can be accomplished by pronouncing the last syllable “ium” as “yoom” rather than “ee-oom”.At the end of the piece there are a few pitches in parentheses. These pitches are alternative options and can be sung in place of what is originally written. Feel free to mix and match to find a three-part chord that sounds good. My first performance of this piece ended in an open-fifth chord (Baritone singing Bb, Tenor 2 singing F, and Tenor 1 singing Bb).

mary cohen


david lantz iii

ayotte custom musical engravings, s. timothy glasscock

russell l. robinson

sally herman


ivo antognini

pam wedgwood

antonio vivaldi

tomas luis de victoria