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Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra) SKU: BA.BA11310 New Completion. Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. Baerenreiter Urtext. New Completion. Classical Period. Score. Baerenreiter Verlag #BA11310. Published by Baerenreiter Verlag (BA.BA11310). ISBN 9790006569199. 31 x 24.3 cm inches. Text Language: Latin.This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süßmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süßmayr and Eybler.When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition.At two points readers may choose between alternative movements (or sections), since proceeding from Süßmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süßmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless.• Scholarly-critical edition of the “Requiem” fragment• With performance material for presentation of1) the fragment,2) a version with completions of the authentic Mozart sections or3) a full completion consistent with Mozart’s musical idiom• Missing sections were completed by drawing from other fragmentary sacred works by Mozart• Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment• Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus”• Easy-to-play piano reduction• Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique• Detailed Critical Commentary (Eng), partly available on the Bärenreiter website• Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”)You will find a detailed brochure on the new completion of Mozart's Requiem here. About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding&lt;img src="/on/demandware.static/-/Library-Sites-sheetmusicplusSharedLibrary/default/v5a9cf97c70688ff08d7c302f53331695c6fdde03/images/Landing/Publisher/Baerenreiter/Baerenreiter_ohne_www_60px.jpg" &lt; p&gt; &amp;nbsp; Song List (31) Vorwort Auffuhrungsvorschlage Satzubersicht Preface Performance Suggestions Overview of movements I. Introitus und / and Kyrie &amp;ensp;&amp;ensp;1 Requiem aeternam &amp;ensp;&amp;ensp;2 Kyrie II. Sequentia: Dies irae &amp;ensp;&amp;ensp;3 Dies irae &amp;ensp;&amp;ensp;4 Tuba mirum &amp;ensp;&amp;ensp;5 Rex tremendae &amp;ensp;&amp;ensp;6 Recordare &amp;ensp;&amp;ensp;7 Confutatis &amp;ensp;&amp;ensp;8 Lacrimosa [optional mit Amen-Fuge / with Amen fugue ad libitum] III. Offertorium &amp;ensp;&amp;ensp;9 Domine Jesu &amp;ensp;&amp;ensp;10 Hostias IV. Sanctus und / and Benedictus &amp;ensp;&amp;ensp;11a Sanctus &amp;ensp;&amp;ensp;12a Benedictus &amp;ensp;alternatives Satzpaar / alternative versions: &amp;ensp;&amp;ensp;11b Sanctus &amp;ensp;&amp;ensp;12b Benedictus V. Agnus Dei und / and Communio &amp;ensp;&amp;ensp;13 Agnus Die &amp;ensp;&amp;ensp;14 Lux aeterna Anhang / Appendix &amp;ensp;&amp;ensp;8a Lacrimosa aus Sussmayrs Autograph / from Sussmayrs autograph Critical Commentary Reviews (function(){ // window.CQuotient is provided on the page by the Analytics code: var cq = window.CQuotient; if (cq &amp;&amp; ('function' == typeof cq.getCQUserId) &amp;&amp; ('function' == typeof cq.getCQCookieId) &amp;&amp; ('function' == typeof cq.getCQHashedEmail) &amp;&amp; ('function' == typeof cq.getCQHashedLogin)) { var recommender = '[["product-to-product"]]'; // removing any leading/trailing square brackets and escaped quotes: recommender=recommender.replace(/\[|\]|"/g,''); var separator = '|||'; var slotConfigurationUUID = 'c05698e72571b3d109adce4ef3'; var contextAUID = '22342776'; var contextSecondaryAUID = ''; var contextAltAUID = ''; var contextType = ''; var anchorsArray = []; var contextAUIDs = contextAUID.split(separator); var contextSecondaryAUIDs = contextSecondaryAUID.split(separator); 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