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About this arrangement

Concert Band/Harmonie - Grade 3-4 SKU: BT.BMP10015447 Composed by Sir Arthur Seymour Sullivan. Arranged by Erik Mast. Hymns & Chorals. Score Only. Composed 2010. 10 pages. Beriato Music #BMP10015447. Published by Beriato Music (BT.BMP10015447). 9x12 inches. English-German-French-Dutch.This well-known hymn belongs to the essential repertoire when it comes to church concerts. This has to do with the way in which the work slowly develops. The start is very intimate and melancholic, eventually leading to an enormous climax, with a resounding (ad lib) organ. Erik Mast has given this traditional hymn a makeover - with an eye for detail and ample doublings in all parts. Deze bekende hymne behoort tot het vaste repertoire als het gaat om kerkconcerten. Dat heeft te maken met de manier waarop dit werk zich langzaam ontvouwt. Het begint heel intiem en melancholisch en mondt uit in een geweldige climaxwaarbij er een orgel (ad libitum) weerklinkt. Erik Mast stak deze traditional in een nieuw jasje - met veel oog voor detail en voldoende verdubbelingen in alle partijen.Dieses bekannte Kirchenlied gehört zum festen Repertoire bei Kirchenkonzerten. Das liegt an der Art, wie sich dieses Werk langsam aufbaut. Es beginnt ganz intim und melancholisch, um dann zu einem gewaltigen Höhepunkt anzuschwellen, wobei (ad libitum) eine Orgel erklingt. Erik Mast steckte dieses traditionelle Stück in ein neues Gewand mit einem guten Auge für das Detail und ausreichend Verdopplungen in allen Stimmen.(Lesen Sie auch die Pressestimme unter Biberussa CD WSR053)The Lost Chord est un célèbre cantique anglais, composé par Sir Arthur Sullivan, au chevet de son frère malade. Le climat d’ouverture est mélancolique et intimiste. La mélodie gagne graduellement en intensité pour culminer sur l’entrée de l’orgue (ad lib.). Cet arrangement, d’Erik Mast, porte un nouveau regard sur l’œuvre de Sullivan. Le style et les détails sont soignés, les voix suffisamment dédoublées. The Lost Chord è un celebre cantico inglese composto da Arthur Sullivan al capezzale del fratello malato. L’atmosfera di apertura è malinconica e intima. La melodia acquista gradualmente intensit per arrivare al culmine all’entrata dell’organo (opzionale). L’arrangiamento di Erik Mast rivela un nuovo approccio all’opera di Sullivan. Lo stile e i dettagli sono curati, le voci sufficientemente sdoppiate.

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