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About this arrangement

Chorus (with soloists) and piano (solos: 2S2Mez6TBar7B – choir: SSAATB – 2(picc).2(cor ang).2(Bb-clar).2(dble bsn) – 4.2.3.0 – timp.perc(3) – hp – cel – str – stage music: 2trp.2tbne.timp.perc) SKU: BR.EB-9429 A Chinese Fable in 2 Acts after Carlo Gozzi – Urtext. Composed by Ferruccio Busoni. Chorus. Edition Breitkopf. Early modern/Opera/Music theatre. Piano/Vocal Score. Duration 80'. Breitkopf and Haertel #EB 9429. Published by Breitkopf and Haertel (BR.EB-9429). ISBN 9790004189061. 9 x 12 inches. German / Italian.Text by the composer based on a drama by Carlo GozziTranslation: engl. (L. Salter), ital. (O. Previtali)Place: Im äußersten Orient. Vor dem Stadttor Pekings, Thronsaal im Kaiserpalast, das Frauengemach TurandotsCharacters: Altoum, Kaiser (bass) - Turandot, seine Tochter (soprano) - Adelma, ihre Vertraute (mezzo-soprano) - Kalaf, Sohn des Timur, ein Prinz (tenor) - Barak, sein Getreuer (baritone) - Die Königinmutter von Samarkand, eine Mohrin (soprano) - Truffaldino, Haupt der Eunuchen (tenor) - Pantalone, Minister (bass) - Tartaglia, Minister (bass) - Acht Doktoren (4 tenors, 4 basses) - Eine Vorsängerin (mezzo-soprano) - Der Scharfrichter (stumme Rolle)Busoni’s work, which antedates Puccini’s famous setting by a few years, seems rather cool in com-parison to the later piece. "Busoni tones down the colors of his orientalisms and totally eschews sentimental lyricism. His strengths lie especially in the scintillating, unfathomable characters and in a music that hovers in an ambivalent manner between brightness and darkness, sadness and humor, danger and harmlessness. This work of art makes its references clear: Gozzi’s play about the murderous princess is peopled with familiar commedia dell’arte figures, and one is not quite sure whether this mixture of fun and danger gives a more relaxed feeling to the activity on the stage or whether it does not do precisely the opposite, adding the irreconcilable perspective of a gondola trip on the edge of a bottomless gulf. Busoni is more faithful to Gozzi than Puccini and thus to the gracious levity that hovers over the excesses of the action. His mild chinoiseries repeatedly lead to a Neo-Classicism inspired by Venetian folklore." (Hans-Klaus Jungheinrich, 1985) "Turandot" was premiered with "Arlecchino" in Zurich on 11 May 1917.